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Intarsia (those, usually Mz. intarsien; arab., ital.)
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The antiquity
already knew intarsien. The Islamic art availed itself of their with
preference. At large artistic completion it here initially particularly
arrived in the early Renaissance in Italy, in churches (choir stalls,
doors, vestry cabinets), then also into the Palazzi, with furniture
and wall panels. In the time of Ludwig XIV. the Intarsia experienced
a high bloom again. |
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Dancing lovers; |
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Detail of a music room door |
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after a sketch of |
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Joseph M. Olbricht; |
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around 1898 (private property) |
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Source: Bertelsmann encyclopedia |
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